Tag Archives: Liverpool

Various Artists: British Invasion

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Stellar box set of four documentaries and a bonus disc

Reelin’ in the Years’ five-DVD set includes excellent documentaries on Dusty Springfield, Gerry and the Pacemakers, Herman’s Hermits and the Small Faces, which are also available individually. Each film is packed with full-length performances (some live, some lip-synched for TV) and interview footage with the principles and other key personnel. Though all four documentaries are worth seeing, the chapters on the Small Faces and Herman’s Hermits are particularly fine. In both of these episodes the filmmakers were able to get hold of a deeper vein of period material, and with the Small Faces relatively unknown in the U.S. and the Hermits known only as non-threatening hit makers, the stories behind the music are particularly interesting.

The bonus disc, available only in the box set, adds nine more performances by Dusty Springfield, seven more by Herman’s Hermits, and over ninety minutes of interview footage that was cut from the final films. The music clips include alternate performances of hits that appear in the documentaries, as well as songs (such as a terrific staging of Springfield’s “Twenty Four Hours From Tulsa” and the Hermits’ obscure “Man With the Cigar”) that don’t appear in the finished films. The interview material really show how unguarded and unrehearsed such encounters were in the 1960s. Fans of specific acts are recommended to their individual film, but anyone who loves the British Invasion should see all four plus the bonus disc. For reviews of the individual documentaries, please see here, here, here and here. [©2010 hyperbolium dot com]

Gerry & The Pacemakers: It’s Gonna Be All Right – 1963-1965

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Winning documentary of early British Invasion hit-makers

It’s Gonna Be All Right: 1963-1965 is one of four documentaries released as part of a five-DVD British Invasion box set by Reelin’ in the Years Productions. Of the four artists profiled (which also include Dusty Springfield, the Small Faces and Herman’s Hermits), Gerry & the Pacemakers might seem the most lightweight. But like all of the artists in this series, what U.S. audiences saw were just the tip of a larger artistic iceberg, and this collection of seventeen vintage musical performances and interviews, television and stage appearances, and contemporary interviews with Gerry Marsden and Bill Harry (founder of the Mersey Beat newspaper) tells more of the band’s story beyond their oft-anthologized hits. The Pacemakers emerge as early exponents of Liverpool’s beat rock, and an act that vied with the Beatles for the seaport town’s music fans.

The parallels between the Pacemakers and the Beatles are many. Both were Liverpool bands with Skiffle roots that turned to covering American R&B. Both honed their live performances in demanding Hamburg gigs, played the Cavern Club, were managed by Brian Epstein, wrote some of their own hits, were produced by George Martin, starred in their own film (Ferry Cross the Mersey), toured America and appeared on the Ed Sullivan show in 1964. The Pacemakers’ music wasn’t as edgy as the Beatles, and Marsden never really varied from his smiling, sometimes hammy, showmanship as a front-man. The group broke in 1963 with “How Do You Do It?” and “I Like It,” and crossed the Atlantic the following year with “Don’t Let the Sun Catch You Crying.” Their earlier U.K. singles would find later success in the U.S., though “You’ll Never Walk Alone” and “I’m the One” (#1 and a #2, respectively) remained UK-only hits.

The group was on the front-lines of the British Invasion, appearing in the 1964 T.A.M.I. Show, but like many of their peers, they never really evolved. Their success in the UK tailed off in 1965, they charted their last single in the States with 1966’s “Girl on a Swing,” and disbanded a month later. Unlike the Small Faces and Herman’s Hermits volumes, this film provides little documentation of the band’s musicians, and few details of their time in the studio or on the road; this is more a nostalgic pass through their catalog (including a nice anecdote about “Don’t Let the Sun Catch You Crying”) than a revelatory document of the band’s history. In addition to the 72-minute documentary, the full individual performances can be viewed via DVD menu options. Bonuses include additional interview footage with and extensive liner notes by Bill Harry. [©2010 hyperbolium dot com]

Gerry & The Pacemakers’ Home Page
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