Outstanding blues, folk and jazz solo acoustic guitar
Canadian guitarist Steve Dawson has often treated his concert audiences to solo acoustic performances, but his albums have always supported his picking with a full band. On his latest album, Dawson gives listeners an opportunity to hear a conversation between his imagination, fingers and guitars (including 6- and 12-strings, traditional wood bodies and a National tricone), unadorned by other instruments or even vocals. Listeners will quickly realize how easily the rich particulars of a guitar’s sound are subsumed by other instruments, and that freed from the competition of a band, each guitar sings with a unique and detailed voice.
In these eleven performances, Dawson keeps meticulous time, but the tempos and changes flow from each song’s internal rhythms. Dawson is a well-rounded player who weaves together blues, folk, country and jazz, finger-picking ragtime on “The Medicine Shows Comes to Avalon,” playing slide on “Flophouse Oratory,” and adding lovely rolling lines on “Butterfly Stunt.” His originals range from contemplative to up-tempo, ending the album with the 12-string “The Alter at Center Raven.” Fans of Fahey, Kottke and Cooder will recognize Dawson as a kindred soul. [©2014 Hyperbolium] 