Early ‘60s song parodist hits his commercial peak
Sherman’s third album, released in 1963 and recorded less than a year after his debut, was his most solid collection of songs, and spun off his most famous composition, “Hello Muddah, Hello Fadduh!†As on the previous albums there’s a live studio audience, but with his humor now a known quanity, these feel more like staged performances than impromptu party appearances. The applause and laughs are genuine and well deserved, but they’re polite rather than the uncontrolled punctuations of his first album. Traces of his earlier Jewish humor can still be heard here, but the broader reach of My Son, the Celebrity is the real pay off. The opening treatise on the French crown, “You Went the Wrong Way, Old King Louie,†is both a funny history lesson and a rocking good time. Sherman’s musical director, Lou Busch, continued to write serious arrangements to contrast with Sherman’s hilarious lyrics, but he also managed to mock musical icons of the time, slipping Henry Mancini’s “Peter Gunn Theme†into the opener and revving up a parody of “Rag Mop†for Sherman’s “Rat Fink.†Sherman unleashes his imagination on the complexities of early computerization, modern medicine, international cuisine, and suburban vexations. The album’s crown jewel, “Hello Muddah, Hello Fadduh! (A Letter from Camp),†is like a musical version of a Bob Newhart phone call. Even here, among the numerous hazards that befall the summer campers, Sherman manages to work in an intellectual reference to James Joyce’s “Ulysses.†The single won a Grammy and peaked at #2 on the Billboard chart, and seemed to be everywhere in the summer of 1963. Collectors’ Choice straight-up reissue includes new liner notes by Dr. Demento. [©2010 hyperbolium dot com]