Youthful country-harmony salute to Dylan and Arlo
The Abrams Brothers – a duo that sings and plays violin, viola, guitar and mandolin – take their place in a long line of sibling country harmony acts. They also join the family of precociously talented youngsters who play and sing with a preternatural ease, and an artistic vision that belies their youth. How many teenagers would think to record a tribute to the songs of Bob Dylan and Arlo Guthrie, and how many of those could reach deep into the two artists’ catalogs for songs that are amenable to bluegrass harmonies and string band arrangements? Well, these two, at least. Accompanied by their cousin on bass and studio hands that include Anton Fier (drums), Rob Ickes (dobro), Will Parsons (banjo), and Mickey Raphael (harmonica), the Abrams’ run through a half-dozen Dylan songs and a half-dozen songs written by or closely associated with Guthrie. The youth in their voices adds an arresting innocence to the iconic Dylan tunes “Mr. Tambourine Man,†“Shelter From the Storm,†“The Times They Are A-Changin’.†The latter, lingered over at a slow tempo is especially effective. Their bluegrass fervor is a perfect fit for Dylan’s born-again hit, “Gotta Serve Somebody.â€
When coupled with a full backing band, the duo is overwhelmed by over-thick productions, such as on Guthrie’s “Cooper’s Lament,†Woody Guthrie’s “Oklahoma Hills,†and Dylan’s “Going, Going Gone.†Anton Fier’s plodding drum beats are particularly distracting on these tracks. Much better are the light shuffle, tight harmony and slide guitar of “City of New Orleans,†the interplay of the Abrams’ guitar, mandolin and fiddle with Will Parsons’ banjo on “Every Hand in the Land,†and a superb reading of Guthrie’s wistful “Last to Leave.†The brothers’ gospel harmonies are well spent on Guthrie’s “Last Train,†with Mickey Raphael’s harmonica taking the song home. Dylan and Guthrie’s songs dovetail naturally, especially as selected by the Abrams from both hits and album cuts. The resulting fan portraits transcend smoothly into brotherly harmony. [©2008 hyperbolium dot com]
Good to see your Abrams Brothers post mentioning Arlo Guthrie’s version of Steve Goodman’s “City of New Orleans.” Goodman often doesn’t get his due. You might be interested in my 800-page biography, “Steve Goodman: Facing the Music.” The book delves deeply into the genesis of “City of New Orleans,” and Arlo Guthrie is a key source among my 1,050 interviewees and even contributed the foreword.
You can find out more at my Internet site (below). Amazingly, the book’s first printing sold out in just eight months, all 5,000 copies, and a second printing of 5,000 is available now. The second printing includes hundreds of little updates and additions, including 30 more photos for a total of 575. It won a 2008 IPPY (Independent Publishers Association) silver medal for biography: http://www.independentpublisher.com/article.php?page=1231. To order a second-printing copy, see the “online store” page of my site. Just trying to spread word about the book. Feel free to do the same!
Clay Eals
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